Tuesday, March 31, 2009
Throw Up Curve
Well, as much as I love horses, it has taken me a long time to try to paint one. I think the first, and last time, was when I drew one as a kid from a picture in a magazine. So threw caution to the wind and painted this from a photo I took while driving up to my daughter's ranch. I guess the name pretty much says it. This was the point we had to let the kids get some fresh air after all the curves!
Saturday, March 28, 2009
Morning at the Farm
After this last week and especially yesterday, the Bay Area needs to regain its equalibrium and start anew. Hopeful some good will come from the bad.
I am going to breakfast at Ardenwood and check out layouts for painting the new baby lambs and the colorful chickens. And the peacocks are so sassy now with their new spring outfits!
The chickens especially are a challenge to paint plein air since they can not seem to hold a pose for more than 30 seconds. The idea for close-ups is to sketch them in an interesting pose and fill in later. The light hitting their feathers is so beautiful! Hope to get the effect.
My grandson, Ben, is having his 8th birthday party today, so no time to paint. Happy Birthday, Ben!
Thursday, March 26, 2009
In Memorium
Wednesday, March 25, 2009
Wednesday Morning Adventures
Today, we met at Coyote Regional Park to get a little painting in. The weather was clear, blue skies and temps fine with a bit a cool breeze once and a while. Robyn and Sheryl headed from the Paseo Padre parking lot down the path towards the park entrance, I decided I still need to paint the oak trees so I chose to paint from Paseo Padre looking towards the oak grove.
The fields around the grove are scheduled to turn into a gated community of houses. Such a loss. The flatland views are so restful for the eyes and soul and a watershed and buffer zone for the wildlife that lives in the park. I assume the grove will be left standing but will probably be unavailable to the public in a wonderful setting like it is today. So, to be one with the trees!
Today's adventures included noisy trucks working near Robyn and Sheryl and where I was a slight wiff every so often of a very, very long time dead skunk down the way.
It sounds like the May 2 paint out is going to be very fun with LOTS of artists.
By the way, the public gets to choose the best artists at the end of the day!
Today's painting is too wet to photograph, so here is another painting at Coyote Hills.
Saturday, March 21, 2009
The Little Shop on the Corner
Wednesday, March 18, 2009
Painting in a busy setting
Paint-Out, May 2, 2009!
There will be a one-day paint-out 9:30-3:30 at Coyote Hills Regional Park in Fremont, CA on May 2, 2009.
This is a beautiful park next to the San Francisco Bay. It has scenes of the bay, wetlands, hills. There is lots of wildlife, being on a flyway for birds. There are walkways over the marshes.
Artist Registration is required. Entry Fee for Alameda and Contra Costa County residents $15, all other, $17. Registration starts on April 7, 2009.
For more information contact:
Coyote Hills Regional Park
8000 Patterson Ranch Road
Fremont, CA
1-888-327-2757
www.ebparks.org
This Paint-Out is hosted by East Bay Regional Park District and the Fremont Art Association.
Monday, March 16, 2009
Green, Green, Green!
This morning - painting at Mission Peak Park. Very Cloudy and threat of showers...so what! We can do it!
But it is "green" time. It doesn't last long in California because as the rainy season ends the hills start turning our lovely gold. We are all a bit overwhelmed with green at this time though - how many shades of green can we create and still keep it interesting! Another one of those problem solving situation..... Keeps life interesting!
Ardenwood Spring!
Friday, March 13, 2009
Observations on the art of painting
Creating a pleasing, meaningful painting is a work of problem solving. When an artist begin to paint there are so many questions to answer. And it really takes concentration. As an artist gets more experienced, the some questions are answered subconsciously, but need to be answered none the less.
The first problem starts with the painting subject itself. The composition, the layout (if the canvas should be horizontal or vertical), focal point, depth of view, sharp and soft edges, contrast, perspective, movement, dimension, the contrast ...and on and on. Plein air painting also includes catching the light at a certain moment, unlike working in the studio with a photo. This problem solving continues throughout the creation of the painting to the end.
Someone watching an artist painting may not appreciate all the mental work the artist is going through because it looks so simple as choosing colors and applying paint to canvas. Actually there is a lot of concentration going on. And a plein air painter must also deal with the elements as well; temperature, wind, quality of light, bugs, and near by facilities to name a few. Some times these elements can break concentration.
Then there is always the attraction factor. Most artists love to have people admire their works, but it can be intimidating to have someone looking over your shoulder when you are working out problem solving.
If observers are very quiet and stand back to watch, most artists can still work and not be bothered. If the artist decides to take a painting break, she can then acknowledge those watching and answer questions. I just mention this because the public can be so interested and many do not realize the artist is actually "at work" and may seem rude when not talking right then.
Thursday, March 12, 2009
Plein Air - What is it!
"Plein Air" is used to describe the act of painting outside rather than in a studio and it also is used to describe the actual picture created outside. The term comes from the French phrase "en plein air" meaning "in the open or fresh air".
Artists used to have to actually grind up minerals, soils, etc. and mix them to a binding medium to make it into paint. Sometimes it didn't turn out just right. An example of a failed experiment in a new way of mixing paint is Leonardo di Vinci's Last Supper. The paint did not adhere to the wall and has flaked off in large areas.
During the early impressionist period paint tubes were invented and railroads had been built. These two things made it easy for artists to get out in the country for a day of painting. From this activity came the French easel, a box on legs to hold paint tubes, brushes and a mast to hold a canvas. The artists could now escape the smoky, dirty air and smells and sounds of a time of "horsepower" in the city and literally paint in the fresh air of the country!
Now, a resurgence of "plein air" artists are enjoying painting in the "open air" with the bird sounds and beautiful views. Keep your eyes open for them and you will probably find some!
Wednesday, March 11, 2009
Painting Plein Air!
Yesterday it was so sunny - but there was a breeze that was really icy. Sheryl and I decided to take a chance on warmer weather this morning. We met at 10 am to paint Coyote Hills starting out with layers. It wasn't too long before we were peeling off jackets.
The mustard is in full bloom and we have to do it justice before they mow the fields! The brush is just getting a hint of green growth and the mustard is so beautiful! We painted the little red house and really enjoyed doing it.
Tuesday, March 10, 2009
Building a Blog
Well, I thought I would try creating this web site, though I may end up with something strange. I don't know all the language for filling out the information forms - but here goes!
I plan to use this site to post my latest art projects. This site may cause a bit of a problem: taking the time to post the latest news or actually DOING a painting. TIME is the issue. It will be interesting!
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